Saturday, August 12, 2017

"Tabasco Time", 6x8"

Since I originated in New Orleans, it stands to reason that there's always a bottle of McIlhenny's Tabasco sauce on our table at home.  The other day, I decided to do a quick painting of this constant friend.

This got me to thinking about recognizable brands, like Heinz ketchup, Smucker's jelly, and Wonder bread, and how fun it is to raise them to new status by painting them.  Much as Andy Warhol did in his day.  

I wrote to the wonderful artist  Carol Marine about this, and she thought it would be a good idea to make this project the weekly challenge for Dailypaintworks.  Click here to see the challenge, and to see what other artists have done with it.  And maybe think about entering the challenge yourself!  I'd love to see what you would do-- what brand deserves artistic recognition in your life?

Friday, August 11, 2017

New Class Schedule at the Ice House



September 22, October 27, and November 10, 2017

Fall is just around the corner, so it's time to mark our calendars for some upcoming classes at the Ice House!  Classes start at 9:30 until noon, then we break for an hour lunch and resume at 1:00, ending at 3:30.  We have a demo/lecture from Ann in the morning, then everyone works on their own projects or on a project suggested by Ann.  The fee is $65 for the full day, $35 for a half day.

This fall, the demonstrations will focus on portraiture, in keeping with the BCAC's "Back Nine" Project.  The basics of setting up a portrait, mixing realistic color, and painting the features will be covered.  Students should feel free to work on portrait references during class time, or any subject they would like (landscapes, still life, etc).

Please bring along a portable easel if you have one, and all your usual painting supplies.

Please email Ann at: to sign up. Looking forward to seeing you there!

Thursday, August 3, 2017

The Mancini Challenge, continued

"Forgotten Teacup", 9x12"  oil on canvas mounted on board

The second half of the Dailypaintworks challenge was tougher than I thought it would be. After copying a master work, we were to paint an original painting with the master work serving as inspiration.  I set up a still life, put the Mancini copy on my easel for easy reference, and got to work.

I started painting with the Mancini copy in sight for inspiration

My mantra as I painted was, "Lots of paint, Keep it loose".  This part of the challenge was difficult, because now it was up to me to decide which edges I should lose, which highlights to hit the hardest, and what areas I could abstract entirely.  Mancini wasn't making the decisions anymore!

A few hours later

One of the most interesting parts of the challenge to me was that no matter how hard I may try to copy the style of a master, when it comes time to paint my own rendition, the painting won't look like it was painted by Mancini.  My style surfaces, no matter how hard I try to mimic someone else's.  It's my "fingerprint", and while I can absorb the influences of other painters, my paintings will always look pretty much like my own.  And I guess that's not an entirely bad thing!

I learned so much from this challenge.  If you'd like to see what other people painted, here's the link.