Friday, March 20, 2015

"The Rancher", 12x16" And A Lesson From Carolyn Anderson

"The Rancher", Ann Feldman

Last year, I took a workshop with Carolyn Anderson, a phenomenal impressionist painter.  I've admired her loose, interpretive style of painting for years, so I was thrilled to be able to see how she approaches a painting.  One of the things I came away with was that sometimes a small brush can be used to add some "air" and mystery to a painting.  Seems counterintuitive, since we are often told to reach for the largest brush possible when we try to loosen up our paintings.  

In "The Rancher", I used a #2 filbert brush (which is pretty darned tiny) for the entire painting, using the point to draw and fill in with scratchy strokes, then I used the side of the brush to flatten out the paint in areas such as the hat.  I call this style of painting "Drawing with Paint".  In Carolyn's workshop, once I started with this style, I couldn't stop!  She would come by my easel and encourage me to pick up one of my other brushes to finish the painting, but I wanted to see how far I could go with one brush.  A little is good, so a lot will be great, I thought…

Here is an example of Carolyn's work.  You can see why I have been so taken with her!

"Girl With Curls", Carolyn Anderson

1 comment:

  1. Good portrait Ann, I was fascinated to read of it all being done with a #2 filbert. It does not look like you got too tight with it. Nice flow.
    I would love a chance to take a workshop with her. The lovely paintings you did in her workshop showed she is a good teacher...but it helps you are such a good artist!